Any subject with straight lines will appear to converge faster than the eye perceives normally. Buildings come to a peak as you look up, railway tracks disappear into the distance quickly, and so on. Learn to use this to your advantage when shooting with a wide lens.
Adding depth and a sense of inclusion also occurs when using a wide angle lens. Look at the size of the tractor in the two images. Notice how large the tractor looks compared to the grain elevator. See how the size relationship has changed in the second image? The tractor did not move from one shot to the other, nor did the distance between them change.
The only things that changed were the lens I used, and the subject to camera distance. Read the description of what a wide angle lens does above one more time. Notice that they are designed to distort and stretch perspective. So to use a wide angle correctly, to its advantage, you need to have something close to the lens. Most of my favorite wide angle shots were taken within inches of the subject; right in the action. Now, look at the two images of the bike below. In the one on the left nothing really stands out in the image.
By getting even closer the bike is made more of the focus in the image. In order to make your shots more interesting, have more depth and perspective — you have to get closer. Try and get a subject really close to your lens, something else a medium distance away, and the background even farther. This image above was shot from the hip literally as I crossed the street in NYC. I wanted the feel of the people coming at me. The finished image was cropped and processed like this:.
To me it says true New York City. Busy, bustling, center of activity — and the wide angle lenses perspective puts the viewer right in the middle of it. Can you feel the chaos?
As soon as you get close enough to make the subject larger — it will start to stand out. So part of getting a clear subject is getting in tight.
This one is closely related to mistake 1 above. When everything is equal distance from the lens it all looks small and insignificant. In this example series I started off with a 17mm again and a super low camera angle down on my elbows on the deck of the train trestle. I wanted to emphasize the perspective with the converging lines of the tracks.
Then I found a nail sticking out and focused on that. Even better it was backlit by the sun so it really stood out. All things working in my favour. Photography is a journey. Do not expect to get your best shot on the first image you take. Many wide angle lenses are constructed to produce what is known as a "rectilinear" image. This means that straight lines are kept more or less straight in the final image, rather than being bent and distorted.
However, with these types of lenses, subjects near the edge of the frame tend to be stretched unnaturally. For super wide angle lenses, such as fisheye lenses, this stretching becomes very noticeable and distracting, so manufacturers tend to use a "curvilinear" construction instead.
Curvilinear lenses don't have the same edge distortion than rectilinear lenses do, but instead they cause straight lines to curve, an effect known as "barrel distortion". A rectilinear lens left preserves straight lines, but causes stretching at the edges. A curvilinear lens right reduces stretching but causes straight lines to curve.
Image by Marc Lacoste. Wide angle lenses have a greater apparent depth of field because they cover a wider viewing angle. This makes them great for photographing scenes where you have subjects at different distances, such as a landscape with animals in the foreground and mountains in the background, and want them all to be sharp.
Wide angles lenses have a wide apparent depth of field, allowing them to capture both foreground and background subjects in focus. Image by Werner Kunz. The downside to this is that you cannot isolate your subject by using depth of field to blur the background.
Instead, you need to pay more attention when you frame your shot, choosing a composition with an uncluttered background. Because of their wide viewing angle and large apparent depth of field, wide angle lenses generally produce photos which are sharp throughout. However, this can be slightly reduced when shooting at very wide apertures, as with any lens. At very narrow apertures, light diffraction can also cause edges to appear slightly fuzzy. To ensure maximum sharpness throughout your scene, aim to use an aperture in the middle of the lens's range wherever possible.
This may mean using a slow shutter speed, so be sure to use a tripod to reduce blurring from camera shake. In any scene, light levels will naturally vary in different areas. For example, the sky may be bright, while the ground is relatively dark.
This becomes very apparent when shooting at such wide angles, and can result in photos which are underexposed in some areas and overexposed in others. You should be aware of this when framing your scene, and be careful to expose the important areas properly, sacrificing detail in less important areas. A graduated ND filter can be useful in balancing the brightness of the sky and foreground. Because of the wide area covered, it is also common for the sun to be included in your shots, and this can lead to lens flare or incorrect exposure.
Lens hoods aren't a practical solution because they can block part of the view. Most wide angle lens manufacturers recognise this problem and build their lenses to minimise lens flare, but they are not perfect, so you should do your best to keep the sun out of the frame, or hide it behind something in the scene. A vignette is a darkening of the image towards the edges and corners. It is is common in all wide angle lenses, although it is particularly noticeable in the cheaper ones.
There's no real way to avoid it, so it is important to try out any lens before buying, to see how much it is affected. Thankfully, modern software packages such as Photoshop have made it easy to remove this effect from digital photos. Photos taken with a wide angle lens often exhibit darkening near the corners, known as a vignette. Image by Matt Hintsa. Capturing such a wide angle can produce unwanted effects from filters. This is particularly true for polarizing filters, where the effect depends on the angle between the lens and the sun.
With a wide angle lens, this angle can vary greatly within a single shot, and your photos will show a noticeable variation in brightness from one side to the other. Direct Drive SSM AF groups provide quick and quiet performance and also lends to more responsive control for manual focus operation — a bonus for videographers.
The Hyper Sonic Motor provides quick and quiet autofocusing, making this lens suitable for videography as well. It also offers an impressive maximum degree angle of view on the diagonal.
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What About Fisheye Lenses? Best Nikon Wide Angle Lens Canon and Nikon have been in the throes of rivalry for decades, so it should come as no surprise that they would go toe-to-toe when it comes to wide angle lenses. Best Sony Wide Angle Lens With Sony dominating sales in the full frame camera market, we take a look at some of the leading wide angle lenses both from Sony and those compatible with the brand.
Mark has been passionate about photography for over ten years and has photographed subjects ranging from fine art landscapes and portraits to commercial and product photography. Arlo camera login says:.
February 24, at pm. Leave a Reply Cancel reply Your email address will not be published. A good telephoto lens can help you take your photograph Understanding Video Resolutions SD. Full HD. Quad HD. What is a Macro Lens?
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